Wednesday, December 7, 2011

Tracey Thorn Review

http://thehomegrownzine.com/archives/33


TRACEY THORN
NIGHT TIME EP
Review by Michael Wood
London’s indie pop darlings, The XX, attempted to put together a tribute album for themselves, which for one reason or another did not see the light of day. Amongst the artists invited to participate in this compilation was Tracey Thorn, most noted for being the voice of Everything But The Girl. Since it was never released, Thorn decided to release the song anyway on an EP, accompanied with some remixes of the song “Swimming”, from her album “Love and The Opposite”. The XX’s version of “Night Time” is airy, emotive, and slow building. While Thorn was able to keep a similar atmosphere, she came at it with an electro-pop vibe, and her personal flare made the song even more beautiful than it already was. An extra bonus on this ep are the “Swimming” remixes, which would probably only be valuable to those who are already familiar with the song, but nonetheless keep the mood that was set from the beginning of the EP, and are interesting takes on the song. In order to fully appreciate this EP, you should own The XX’s self titled debut, and Tracey Thorn’s “Love and The Opposite”, but that doesn’t stop this from being a completely enjoyable release on any level. (Merge Records)

Tuesday, December 6, 2011

Citizen Fish article, Ghetto Blaster Magazine


Citizen Fish
Words: Michael Wood

In the mid to late 90s, ska-punk made a big explosion into the mainstream.  Although less clawingly-annoying than the swing music revival that followed, it still quickly became an overdone and misused genre.  The popular though lackluster, MTV-style fusion of the genres left mainstream public ignorant to the fact that there were and still are some very creative, raw, talented ska-punk bands out there. While bands like The Mighty Mighty Bosstones, Reel Big Fish, and Sublime were playing Clear Channel venues and filling the soundtracks to Good Burger, 10 Things I Hate About You and Clueless, Citizen Fish was playing the “other side of town” to a pack of sweaty punks for a $5 cover charge.

Citizen Fish has been at it since 1989 and were on the forefront of the ska-punk movement.  Though new at the time, the idea of mixing the two genres seemed like simple science for them.  “We were all brought up on Sex Pistols and The Specials, so it was only a matter of time before the idea had to happen! It certainly felt like really fresh music,” says Dick Lucas, singer for the band. 

Lucas has been singing heavily-politically themed punk songs since 1980 and is also the singer for the anarchist punk band Subhumans and another ska punk band, Culture Shock. Being in bands since the age of 18, Lucas has stuck to his guns, and feels that the social messages he was portraying in the beginning are still relevant now. “The stances taken in 1980 were less considered, subtle, deep than 30 years later, but weren't contradictory to how I now think. I do see things differently now, but only in as much as I’ve more information and experience to draw from. For example, all that teenage paranoia has just about gone now, but mostly because I discovered we are all being watched! So songs about paranoia evolve to songs about CCTV and phone tapping.”

Releasing records for over two decades, Citizen Fish has worked with such notable labels as Southern, Lookout!, Fat Wreck and Dick’s own, Bluurg!.  Their newest record, Goods is out on another new label, Alternative Tentacles, a veteran label run by Jello Biafra, founder of punk rock legends Dead Kennedys - which seems to be just the right aesthetic for Citizen Fish. “We've known Jello and Jesse (Townley, Alternative Tentacles general manager) for years, so it’s more co-operation than 'business.' Jello said about a year ago he'd be into releasing the next album, so we went with it. Alternative Tentacles is a good label with a rare diversity of music and a good reputation.”

Take raw, sincere punk rock with ska and reggae influences, turn it up, and you have Goods.  Granted, the formula is nothing new, but when you do it as good as Citizen Fish do, you just don’t want to fix what isn’t broken.  “We feel, without sounding too immodest, that it’s the best album we've done yet! There's no 'could be better' songs, nothing we'd like to re-record, and it was exciting and fun getting it worked out and recorded,” says Lucas. 

They also try to keep the experience of seeing them live as close as possible to hearing them on record, by not buying into all the new technology that is at hand at recording studios these days. “They can turn farts into harps, any sound can be twisted reversed retuned moved around. It’s almost cheating! We still play as before in the studio, do as much live as possible, so we don’t need to get surgical later on.”

Managing to stay active for as long as Citizen Fish has, without “selling out” to a major or anything else they might deem questionable to the integrity of the band, has not been easy, but seems to be worth it.  When asked if it has been financially easy to survive, Lucas stated “For each of us the answer would vary, ranging from broke most of the time to managing to stay out of work for the last 25 years. Money from album sales and gigs fluctuates like mad. Once you take into account the fact that being on a major label only means loads of money if you sell loads of product - otherwise all those upfront wads have to be paid back - then we just feel lucky to have been able to survive off what we do without ripping anyone off or selling our souls to the industry.”

Dinosaur Jr. show review

Dinosaur Jr. @ Cat’s Cradle, Carrboro, NC June 27

Dinosaur Jr., perhaps the loudest non-metal band on earth, decided to do a tour playing their arguably most-noted album, “Bug” in it’s entirety.  An odd yet intriguing additive to the tour was that they were to bring along Henry Rollins with them, not performing, really, but to interview the band onstage, before they play.  So, on Monday, June 27 Carrboro’s own Cat’s Cradle was filled up with hipsters and music geeks, ready and willing to get their eardrums blown.  I was sad to see that this date, unlike the other dates of this tour, did not include OFF!, Keith Morris of Black Flag and Circle Jerks new band, but was happy to see that Mac McCaughn of Superchunk would be opening the show. Being a Chapel Hill native, McCaughn would be at home at The Cradle, but being one of the only times playing solo, it seemed to be a new experience for him.  Surprisingly, he did not play an acoustic set, but played Superchunk songs just as loud and distorted as if he was playing with the band, something that took a few songs to get used to, but eventually felt right.  He played a slew of Superchunk songs such as “Driveway to Driveway”, “Digging For Something”, and “Martinis on The Roof”, and threw in a cover of The Misfits song “Children in Heat”, which he dedicated to Rollins' tattoos. 

After McCaughn finished up his set, Rollins came on stage to say a few words before introducing Dinosaur Jr.  When the band came out and the interview started rolling, I couldn’t help wonder what the purpose of all this was.  It just seemed odd, that a guy like J Mascus, that had seemed to be pretty soft spoken and mysterious (or maybe just too stoned to talk much) would want to be interviewed on stage.  But nonetheless, it was entertaining.  No questions were particularly hard-hitting or controversial, although one statement that Rollins made about how some bands get together after years of being broken up, and don’t really do anything new, but DJ has been creating new music, sparked Lou Barlow to grunt “THE PIXIES”, which of course was good for a “oh no he didn’t” moment. 

After the interview was over, DJ left the stage for a few minutes.  Looking up at the stage, I noticed there were so many amps, that there was barely any room for the drum kit.  I took this as a cue to insert my earplugs.  They opened the set with two non- “Bug” songs: “Forget The Swan” (from their first album, “Dinosaur”), and “In a Jar” (from their second album, “You’re Living All Over Me”.  Then played “Bug”, all songs in order of album.  For the last song, “Don’t”, Barlow invited audience members up to scream the lyrics, which of course are just “why don’t you like me” over and over.  For their encore, they played their version of The Cure’s “Just Like Heaven” and “Tarpit”, another song from “You’re Living All Over Me”. 

As the night ended, most left happy, and happier were those who remembered to wear earplugs.  

Crooked Fingers review

http://thehomegrownzine.com/archives/159
After Eric Bachman’s short hiatus from music, he has come back with vengeance: a slew of Archers of Loaf reunion shows, as well as AOL reissues coming out this year and next, and now a new Crooked Fingers album. “Breaks In The Armor” is the 6th full length by Crooked Fingers, and by far the most consistently enjoyable yet.
At this point, Bachman and co. have mastered the art of mixing grit and pop, from dark humor and honesty (lyrics like “went to see my fortune teller to see which way the winds were blowin’, she said ‘you’ll probably get the cancer’, she said ‘you’ll surely die alone’” from “Bad Blood” for example) to truly catchy hooks. The production lent by Matt Yelton, The Pixies live sound engineer, is slightly more straightforward than previous CF efforts, songs being more stripped down and raw than the sometimes overly textured sound explored in the past. The bare bones production is a welcome ingredient to these heartfelt songs, showcasing the actual songs, and not getting lost in production. “Breaks In the Armor” plays like a bloody open wound turned beautiful.

Beard Science

Cover story of Surge, Feb. 17, 2011

http://www.thesunnews.com/2011/02/17/1986092/beard-science.html


From the beginning of mankind there was hair.
It grows on our heads, on our backs, on our toes, near the naughty bits, and for males (and occasionally some females), on our faces. Beards have been a major feature in most aspects of our history, from important religious and political figures, to respected authors, philosophers and artists. And one interesting thing about the beard is that there are hundreds of styles, from the Donegal to the Garibaldi. It's not always an issue of just not being able to, or wanting to shave. Men have been styling their beards and mustaches in search of the perfect face companion since we had a choice as to what to do with that stuff growing on our faces.
Many of our country's most important historical figures wore beards. Abraham Lincoln wore a beard (and we're not talking about wife Mary Todd Lincoln). Two of the most famous generals who commanded the Southern armies during the American Civil War, Robert E. Lee and Stonewall Jackson, both wore beards, as did many other generals. Many political leaders and revolutionaries throughout history have been known to have a beard and/or mustache.
In the 18th and 19th centuries, only the wealthy shaved often. Daily shaving was not a custom until the 20th century. Although straight razors were used in England since the 1600s, it was not until the 1900s that Gillette introduced the common store-bought razor. From the '20s to the present, it would be highly unlikely to see someone on Wall Street, or in any business office environment with a full-grown, burly beard. And the U.S. has not seen a president with facial hair since William Howard Taft, who was elected in 1908. In the '70s it seems that beards were most popular with hippies and rock 'n' rollers, and mustaches had a porn star/underground sex club stigma attached to them. Professional baseball players were somehow exempt from this stigma, however, with Rollie Fingers' trademark handlebar mustache and Bill "Mad Dog" Madlock's Ice Cube-ish scruff. In the '80s Tom Selleck, as Magnum P.I., took back the upper lip push broom and made it acceptable for every man in the workplace to have a 'stache. By the time the '90s hit, a goatee and its cousin, the van dyke (a goatee plus mustache), were perhaps the only acceptable facial hair in the workplace.
Beards and mustaches have also been present in most forms of pop culture through the ages. In sports there's Brian Wilson, from the San Francisco Giants, and Kimbo Slice, a famous mixed martial arts fighter. Possibly the most famous beard in sports right now is Brett Keisel of the Pittsburgh Steelers, who was recently invited to judge at the 2011 National Beard and Mustache Championships, in Lancaster, Pa. Although he has stated that he will shave soon. On the big screen, there's always been Groucho Marx, Charlie Chaplin, Chuck Norris, Mr. T, and many more, but more recently you have Brad Pitt, Zach Galifianakis, and Joaquin Phoenix on the beard wagon, although Phoenix has been seen clean-shaven recently.
From the world of entertainment to well-paid athletes to average Joes, beards and 'staches are sprouting like it's the '80s all over again- the 1880s, that is.
Beard enthusiasts seem to be everywhere. There are national competitions, clubs, and Web sites, devoted solely to facial hair. Even in The Palmetto State. On Saturday, the 2nd Annual Southeastern Beard & Moustache Championships will be held in Charleston. Beard and mustache competitions have been popular for years in Europe. The first World Beard and Mustache Championship took place in Höfen-Enz, Germany, in 1990. The idea eventually hit the U.S. hard, spawning a USA beard team, and many events nationally. Jack Passion, a beard wearer from California, was the first American to win at The European Mustache and Beard Championship, held in Brighton, England. He is also the author of "The Facial Hair Handbook." Passion stated in a recent interview for buildabeard.com, "European competitions are very structured with a lot of rules. American competitions are wild and crazy, they are borderline riots."
Paul Roof, organizer of Southeastern Beard & Moustache Championships, strives for something in between the two extremes. "We will have a red carpet entrance, professional photographers, and there's serious judging with some really nice prizes. It is, however, a drinking affair, and the crowd gets rowdy. We don't want it stuffy but we do have formalities."
While Myrtle Beach may not have it's own Beard Team USA chapter yet, the beach has gotten quite a bit hairier in the past few years. If you are a local who happens to go see live music, go to bars, art shows, heck, even the mall, it's hard not to find at least one proud beard or mustache carrier. In Myrtle Beach most local bands have at least one beard-o. From Octopus Jones, to Ten Toes Up, to The Classic Struggle, very few bands go completely facial-hairless.
Nationally, beards and mustaches have no doubt been most represented in music in the past 50 years. Many styles of music have bearded musicians, from jazz to country and bluegrass, to polka. But most interesting is the trend in rock 'n' roll. Many rockers have either flirted with it or dived head first into it. From Queen to ZZ Top to David Bowie, to Mick Jagger, Frank Zappa, The Beatles, The Beach Boys, and so many more. However, in the past few years, beards have become more popular than ever with bands such as The Black Keys, The Avett Brothers, Fleet Foxes, Band of Horses, Kings of Leon, Iron and Wine, and many more. And the fans have caught on. There is even a popular blog site called "beard makes better music" on blogspot.com where the author states, "We seriously believe that bearded men make better music. The support for our theory is huge." The site focuses on modern bearded bands.
Getting into beard-ness
Everyone seems to have different ways and inspirations for getting into beard-ness. "I haven't shaved in three years, it started as almost a personal challenge, to see how far I would go with it," says Drew Jacobs, a local musician who plays in bands such as Something About Vampires and Sluts, Wicked Gift, and The Drew Jacobs Band. Mike Wisner, another local musician, on the other hand says, "I just woke up one day and I had a beard. I never made a decision to have a beard, it was a decision to stop shaving." Both Wisner and Jacobs have fully grown, bushy beards with rounded bottoms. Beard enthusiasts call this style the Garibaldi.
As far as inspiration, Evil Presley, singer of the regional punk band The Independents, had an interesting source. "Since I was 16, I was a huge fan of (Marvel Comics character) Wolverine. I would shave six times a day just to try to help my burns grow out." Presley's style is known as mutton chops, which are sideburns that extend all the way down to imaginary lines drawn downward from the corners of the mouth.
Others seem to be sentimental about their beard and 'stache growing decision. "When I was a kid I remember my grandfather had a killer goatee and all the older folks seem to have mustaches," says Whilden Nettles, a local musician. Nettles sports the Hollywoodian, a mustache connected to a beard in which the sideburns are removed. "My Dad has always had one," says Mick Forrest, a local visual artist. "But another influence is the fact that I just really like a vintage look. There was a fashion in the '30s that's hard to recreate." Forrest has a handlebar, a mustache where the sides are twisted or curl upward or outward on the ends.
Some people grow their face fuzz out of rebellion. "Girlfriends and jobs would never let me grow the 'stache out, then finally I just did it out of rebellion." says Nathan Troutman, a local musician who sports The Pencil, also known as Undercover Brother, a thin mustache along the upper lip.
"I think when I first started, it was dumb-ass youthful rebellion, which in hindsight, doesn't make much sense, seeing as it's so accepted," says Carl Beckham, an English professor at Horry-Georgetown Technical College, who sports the Hollywoodian.
And for some people a fashion statement isn't really what's on their mind. "I don't have to go to work so I just got lazy, thought I'd go for the homeless look," says Ed Tanner, of local rock band Sharklegs. Economics played into another beard-sporter's decision to let it grow. "Razors are expensive and I got no chin," says Brandon Collins, from Myrtle Beach metal band, The Classic Struggle. Both Tanner and Collins have Garibaldis.
Fashion or fusion?
You can look at the popularity of beards and facial hair in the music and arts scenes in many ways. The so-called "ironic" mustache that hipsters started sporting years ago just isn't so ironic anymore. For those of you unfamiliar with the term "hipster," it is defined by urbandictonary.com as "a subculture of men and women typically in their 20s and 30s that value independent thinking, counter-culture, progressive politics, an appreciation of art and indie-rock, creativity, intelligence, and witty banter." But when it comes to mustaches, it's not really hip or independent anymore when everybody's sporting 'em.
"It's a trend in all the big cities. I was recently in Athens, Ga. just sitting down at a coffee shop, and I noticed that every guy in the place had a mustache," says Troutman. "If I lived in a bigger city, I wouldn't have one, but this is kind of my 'fuck you' to Myrtle Beach."
As Surge has chronicled many times before, trends take awhile to gain traction along the beach. "Myrtle Beach is always 5-10 years behind," said Brian Sisco, Garibaldi wearer and manager of local bar For What It's Worth, which happens to have a good number of beard-wearing employees.
But with so many types and styles of facial hair at a man's disposal, stereotypes are being broken down; i.e. just because you've got a sweet goatee doesn't mean you're a beatnik poet, or the shaggy, ZZ Top-esque beard touching your chest might mean you're into metal, rather than a traveling Spreadhead.
"I was traveling with Phish when I first started growing my facial hair. Now social groups have meshed," says Forrest. "Scenesters and hippies are listening to the same stuff. There has always been beards in the hippy scene."
Roof agrees that fusion is behind the trend. "A lot of these bands, like The Avett Brothers, for example, are heavily influenced by bluegrass. And beards have been a part of bluegrass culture from the beginning."
While there are elements of trend following attached to the beard phenomenon, some feel it's more than just a fashion fad at this point. It seems to be more of a lifestyle statement. Nettles stated, "like a lot of trends. It hit and spread. But this spread because, unlike skinny jeans, there's a subconscious element that's there. On the surface it might be funny or ironic looking, but it hit on something and it's more significant and psychological than certain trends."
Maybe growing beards is a symbol for the younger generation to say, "hey look, I'm a grown man."
"Our generation is stunted," said Nettles. "We lengthen our adolescence, and this is one way to prove we are adults. Some people do it ironic but I think there are some deep seeded manifestations."
Is it that the 20-30 something generation right now has such a hard time growing up, that we need to have our facial hair to prove we are adults? Or is our generation rebelling against the 9-to-5 lifestyle our parents may have gravitated towards, or perhaps a backlash against the metrosexual movement of the early 2000s?
"As you see the country economically down spiral, you see less people get white collar jobs," says Sisco. "Dealing with a generation of ex-hippies that sold out, we despise their choices. The 20-30 something generation is college educated but doesn't want to go the route our parent did."
Maybe men are being men again; after a decade of scrubbing, manicuring, waxing and primping.
Roof says, "Metrosexuailty is over. We are fed up with being told how to look."
Jacobs agrees that there is a sense of rebellion in a nice beard, but is more romantic about it. "I think about all those bands from the '70s with big thick, bushy, beards, and it just symbolizes creativity, rebellion, and just being different. My uncle always had a beard, and he looked like a rebel, a rock 'n' roller, and I like that".
The razor's edge
Although beards are definitely in the mainstream these days, some bearded folks still fall victim to disapproving judgment. "People look at you and say derogatory things. But the beard is good a filter. If someone is stupid, it comes out immediately," says Roof. "That way I don't have to waste my time on ignorant people."
Jacobs gets funny looks from strangers. "They think I may be a criminal or a vagrant. They just aren't sure what to expect."
Some people, however, are just intrigued by the facial art. Forrest states "people are just generally interested. 'How long did it take', 'Do you wax it', and questions like that." The answers are " four months" and "yes."
While facial hair might blackball you from getting certain jobs, some people actually need it. As Nettles was working as a police officer, he said he needed an edge. "Without the beard I look so young," he said. "I needed the beard for respect. I don't want to get my ass beat."
And facial hair adding a few years in the eyes of beholders does seem to be a common theme. "I just like not looking 17. If I shaved, I'd look so young," says Ryan "Kickass" Carter, drummer for Sharklegs. Carter has a Fu Manchu, a mustache that extends downward on the sides, usually extending off of the chin.
Collins doesn't mind the attention. "Some cringe and some absolutely love it, especially drunk chicks. They always try to braid it. Also, puppies and babies are fond of the beard. They always try to eat it."
Beckham says, "I get mistaken for a hippy. Someone asked me the other day if I was going to see (the jam band) Galactic and I didn't know what to say."
The bearded lady
Meanwhile, beard and mustaches seem to get mixed reactions from the ladies.
"I think the beard has some major sex appeal. Some girls are really turned on by it, although some don't like it at all," says Jacobs.
Wisner agrees. "They either love it or hate it, not much in between."
But it can be an ice breaker.
"The ladies are intrigued, they say 'can I play with that?' 'Can I stroke it', and I say 'oh, you mean my beard?" says Sisco.
And a nice beard can be good for your self-esteem.
"I think it seems to add a layer of confidence," says Forrest.
On the other hand, not all ladies love the face fro.
Abbi Neal-Ingalls, from the "T and A Morning Show" on local classic rock station WAVE 104 has been very vocal about this. "I absolutely loathe beards," she says. "My husband has one, and he looks like the Brawny man. Some women like the mountain man look, but not me. It looks creepy, like a mug shot. It's getting ridiculous. Good looking guys are hiding their faces."
To convince her husband to shave his beard she has begged and pleaded. She even wore a paper beard on her face for a few days. As a last resort, she may threaten to cut off the booty flow. "I hate use it as a weapon. But I may have to cut him off," she said. He eventually shaved it down to a goatee.
Some gals feel it depends on the individual. Alice Torres, a 21-year-old local, says, "If you don't have a good mustache, why have it at all? But a good mustache can be very hot."
Some women in the world of entertainment have mustaches, and we're not simply talking about the circus freak bearded ladies. Coco Rosie, a popular indie-rock female duo, have been known to sport fake mustaches from time to time, and JD Samson from the now-defunct band Le Tigre actually has a mustache - on purpose. Female mustaches actually became a hipster trend, as documented by blog site "hipster girls in mustaches" on blogspot.com. It has become very common to see mustaches tattooed on a girl's finger so they can hold a nice stache up to their face when desired. These are called fingerstaches.
Not fade away?
Sometimes beards can be problematic though. "From time to time I find goodies in it. Usually after a night of raging" says Collins.
And like the hair on top of your head, you have to apply some product if you don't want to smell like a vagrant.
"I hate when it starts to smell bad. I've had that complaint," says Carter. "When it was growing out, my beard had dandruff, but I quickly learned to condition it," says Wisner. But the beard wearers of Myrtle Beach aren't going to give up just because of a little case of the dandruff and the smellies. No sir.
Some popular musicians are over it though. As a matter of a fact, two of the most popular beard toting bands in America have recently shaven members. Dan Auerbach of The Black Keys shaved, as did both Scott and Seth Avett, of The Avett Brothers.
Is the trend dying? "The Avetts and Auerbach cutting their beards could be to indie-rock as Metallica cutting their hair was to heavy metal. Maybe some fair-weather fans will shave," says Beckham.
Jacobs doesn't think so. "I don't think it will make an impact. It was going on well before bands were having success." Forrest adds, "it's been an underground trend for a while. It may bounce back and forth for younger people, but older people will keep the phenomenon alive. I think it's just getting started."
Whiskers, by nature, are resilient.
"The beautiful thing about beards is that they grow back no matter what," says Roof.


Read more: http://www.thesunnews.com/2011/02/17/1986092/beard-science.html#ixzz1fmp9G713

Furs Review

http://www.thesunnews.com/2011/07/12/2274255/psychedelic-furs-at-house-of-blues.html

If you grew up in the '80s, or even the '90s, you probably know who The Psychedelic Furs are, or at the very least you are familiar with the hit song "Pretty in Pink" from the movie "Pretty in Pink." If you are younger than 30, and don't know who The Psychedelic Furs are, but enjoy indie/alternative music, you should. The Furs took punk and new wave to a new level, combining a moody post-punk (ala Bauhaus, Siouxsie and The Banshees, early Cure) attitude with the new-romantic warmness of bands such as Modern English, The Church, Echo and The Bunnymen and more, actually being precursors to some of those bands, becoming one of the most influential bands of the '80s. The band's music was even heavily covered in the `90s by punk bands such as Jawbreaker, Face To Face, and Good Riddance, just to name a few. The band's second and perhaps most noted album, "Talk Talk Talk," was released in 1981. To commemorate the 30-year anniversary of the album, the band set out on tour playing the "Talk Talk Talk" in its entirety. Luckily, Myrtle Beach was granted with the presence of these rock veterans. This was an early show, starting at 7 p.m. sharp, with no opening act. When The Furs hit the stage, attendance was sparse yet seemed to be slowly filling up still. I don't think everyone realized how early the show was starting. The current lineup includes only two original members, brothers Richard Butler (vocals) and Tim Butler (bass), but consists of an all-star lineup of sorts. On guitar, Rich Good, who is also in the band Kings and Queens, but is mostly noted for being in the band The Pleased, which included semi-famous freak-folker Joanna Newsom, before going solo. Mars Williams, on saxophone, has played with The Waitresses (remember "I Know What Boys Like"?), Billy Idol, Ministry, and many other bands. Amanda Kramer, on keys, is mostly noted for playing with '80s electro-rock band Information Society. Paul Garisto, on drums, has played with Iggy Pop, Ryan Adams, David Gahan (of Depeche Mode) and many more. They opened the set with the lush and dark "Dumb Waiter" which seemed like a good opener to ease into the night, but then jumped right into the biggest hit "Pretty In Pink," which seemed like a bold move, but gave everyone the notion that they weren't fuckin' around, and were there to party (despite the line of water bottles and red bull cans on the drum riser, ala typical aging rock stars). Richard Butler has held his attitude through all the years, if not gaining some, coming off more like a sassy cockney punk rocker than a gloomy crooner, an image which he has been known for in the past. The on-stage chemistry with the band was that of a new one, as the players seemed to be simply having loads of fun with each other, and lacking the resentment and humdrumness that is sometimes displayed by veteran bands due to years of going at it. The first set, which was the entire "Talk Talk Talk" album (not in order), ended with "She is Mine," which included a long instrumental break with Williams taking lead on sax, and featuring Good's lush guitar, bringing to mind just about every John Hughes film I've ever watched. After completing "Talk Talk Talk" the band took a short break. When they returned to stage they started with the dark and sensual "Sister Europe," where Richard Butler acted out every word of the song, including mimicking smoking a cigarette. The second set quickly became even better than the first, with the hit "Love My Way" and "President Gas" setting the mode to the more anthem-like side of The Furs. In "High Wire Days" Richard Butler even pulled out a megaphone and sang through it for the later potion of the song. They ended this set with another hit, "Heartbreak Beat," which seemed like a great way to end the night. But then the band came out for an encore with some deep cuts, such as "My Time" and "Forever Now." The show was over by 9 p.m., just in time for all the old rockers to get home for the 10 o' clock news, while all the young indie rock kids stayed at home listening to Arcade Fire, failing to go straight to the source, and missing out on an important history lesson. Eh, kids these days.

Read more: http://www.thesunnews.com/2011/07/12/2274255/psychedelic-furs-at-house-of-blues.html#ixzz1fmnBwm42

Monday, October 17, 2011

Hell Foods

Me and Nicole had decided, for some reason to go hitchhiking.  We wanted to go to Chapel Hill.  We got as far as Cary, NC.  I actually used to work at the Whole Foods in Cary, so we went into the Whole Foods, and asked around as to if anyone that worked there lived in Chapel Hill.  One guy pointed a lady out.  She said "yes I do, why?" and I said "hey!  I used to work here!  Me and Nicole are trying to get to Chapel Hill, think we can get a ride?"  She said "OK, but I don't get off for a couple of hours".  So to kill the time, i said "hey lets get jobs here and just work for 2 hours then quit!" So i asked them if there was anything we could do and they got us started.  Next thing I knew there was this little 8 year old girl following me around, tormenting me.  When no one was looking, except for me, her face would turn red and horns would pop out on her forehead.  She was a demon.  For real.  I tried to tell people but no one would listen. They thought I was crazy.  Right before our newfound friend was getting off and we were going to get a ride, I looked outside, and the sky went grey, and a weird light was in the sky.  I looked like a zipper.  Next thing I knew, Whole Foods was on fire.  Everyone started running for thier lives.  I walked outside, fixated on the light in the sky, and then watched the entire whole foods be scooped up by this light.  Turns out Whole Foods was some sort of Portal to hell.  Well then the religious freaks came in to fix the situation.  These guys seamed worse than the demons.  We were taken away, and everyone was "exorsized", and bassically we were all at theses God camps.  There was a cardboard cutout of one of the evangelists in front of me and I was so pissed that I punched the cardboard preacher as hard as I could.  Then I heard my girlfriend crying.  I opened my eyes and I had actually punched my girlfriend, who was sleeping next to me, in the face.  Fuck you, weird dream!